When I was designing my website I looked at a range of
professional illustrators’ sites to get an idea of what was necessary, what
worked well and what not to do. I decided to keep the site simple, made up of
three pages: a gallery, a ‘contact’ page and an ‘about me’ page. My first attempt
at writing a description of myself and my practice was too formal and after
talking to tutors I decided to change it. I wanted to communicate that I liked
telling stories through my work, but rather than just say that, I decided to
demonstrate storytelling through the ‘about me’ section, expressing my passion
for my work. I created some GIFs of my character designs to use on my website
to bring my characters to life and make the website more interactive and
appealing.
I printed out a first draft of illustrations for my
portfolio which gave me the chance to get feedback from tutors and visiting
professionals towards the end of the module. That feedback combined with the
advice we received at the Hanbury symposium has helped me to understand what it
is that publishers and agents look for. My portfolio needs to develop alongside
my practice in the same way as my online presence. I also need to keep printed
A3 copies of a wide range of my work so that I can tailor my portfolio to the
specific agent or publisher it is being presented to. From the talk by Chloe Morgan from Plum
Pudding I got a good understanding of what children’s book publishers and
agents specifically look for in a portfolio. I need to create character study
prints that show my ability to maintain a character consistently through a
range of emotions, actions and scenarios. I need to have the confidence to
include development work. My portfolio should include character designs that
are common to children’s books such as animals and children, and a variety of
scenes from vignettes to full bleed page layouts. A key piece of advice I was
given when arranging a portfolio is to start and end strong to create a
positive initial impact and to leave a lasting impression. It is important to make
sure the portfolio is varied and balanced throughout. Views on how to do this
will vary from person to person but it is an important consideration when deciding
where to place work within the portfolio.
As part of my professional practice it is important to understand the legal, financial and ethical responsibilities of a freelance illustrator. There are a number of government organisations that can provide information related to self employment. Illustration specific advice and support is available for members of The Association of Illustrators who provide information on all aspects of professional practice including pricing, contacts and finance. Maintaining a professional network of illustrators can also provide help and information on these issues as well as support and encouragement.
Over the course of the module I have developed a plan for
approaching publishers and agents and have already started sending portfolios
and manuscripts out by email. I have just had some manuscripts printed to send
to publishers that only accept physical submissions. I have contact information
for some of the visiting professionals that I have met this year and plan to
contact them over the summer once I feel I have fully implemented what I have
learned throughout the year. We have the Hanbury Exhibition in July that I am
using as a target to finish two publications I am working on as personal
projects. I plan to have them printed so that I can give them out at the event.
I also plan to attend the Bologna Book Fair next April to expand my network and
introduce myself to publishers. Throughout this process it will be important to
maintain my online presence as it will be used to maintain and build upon my
professional network. My online presence through my website and through social
media will act as a representation of my practice, persona and brand. It needs
to be an appealing, well-crafted and accurate representation of what my
practice is, how it can be applied and why I do it.
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